![]() Alternatively, a file:// URL may be provided in the Artwork: field to point at an existing file. Use the Other Source… option in the Track Source popup to select your file.Īrtwork: file:///Users/ammo/Desktop/artwork.pngĪrtwork may be provided by placing the base64'ed contents of an image into the ArtworkData field. txt extension) to be selected as a source of metadata. Audio Hijack will watch this file for track title information, and read it whenever it changes.īoth the Live Stream and Broadcast blocks allow a properly formatted text file (with a. If your audio source is not included in the list of applications above, you may wish to insert track titles and artwork using a “Now Playing” text file. If it's running when you select a supported browser (Safari or Chrome) as your source, Audio Hijack will communicate with BeardedSpice to receive metadata from the audio in the browser.įor more details, and a list of supported websites, see the BeardedSpice page. The free BeardedSpice application can run in the background to pull track titles from web-based media players. However, it is possible to gather this information while playing audio from supported sites, using BeardedSpice. Send(think from mixer) goes to compressor channel input, receive(back to mix) goes to compressor channel output.Metadata from web-based audio with BeardedSpiceĪudio Hijack itself is not able to gather metadata from web-based audio. Sometimes it will be written on the cable jacket. ![]() Note the send and receive end of your cable. (64) in your picture will be the combined connection then the Y end will pass through the input and output of your compressor. Your inserts to the compressor will be the same way. Some purists might connect mic directly to pre-amp w/ XLR and connect that output to the mixer because the pre-amp might provide cleaner +48v phantom than the mixer, but the traditional insert connection I described lets you easily diagnose hum and level issues with the gain in the pre-amp, should they arise. This configuration allows you to A/B your mic's sound straight into mixer vs processed by your external pre-amp. The Y end will connect to the input and output of the preamp. Your should then connect mixer channel 1 insert (50 in pic) to your preamp with a 1/4" insert(Y) cable. Some descriptions are crumby and are actually a split of a TS or TRS into two of the same, this won't work.Īs long as your mixer can supply phantom power, your Rode mic should connect to your mixer channel 1. ![]() The one thing to be sure of is that you have true insert cables, TS (one ring) on two cables and TRS (two rings) on the other. Sorry for the n00b question and the below par Behringer setup but I am running the station on a tight budget (a Shure SM7B and a D&R Airlite is the next upgrade coming in 2018) You can listen to my radio station here: I have upgraded with a dbx 286s Pre Amp for the mic and a dbx 266xs Compressor for the Main Mix which is being picked up by NiceCast as USB Audio CODEC directly from the Behringer Mixer and then broadcast to my radio streaming service as NiceCast picks up Artist and Title from the playout software and publish it to listeners. I need a full play-by-play including which exact cables to use with the new gear for the best results: ![]() I run a small online EDM radio station on a Mac mini running Radiologik DJ and NiceCast and I have been using the Behringer Multicom Pro-XL MDX4600 Compressor/Limiter/Expander to run my Røde NT1-A Condenser Mic thru Channel One and then Main Mix thru Channel Three (Left Main Out) and Channel Four (Right Main Out) from my Behringer DX2000USB Mixer with three Y TRS Jacks. Thank you for your help! Much appreciated! ![]()
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